He ditched the Toyota in Hollywood and took a bus back to downtown, where he was staying at the Cecil Hotel. He threw, among other things, a VCR and some jewelry, into a pillow case and fled, taking the shotgun as well. He left gaping wounds in her chest and pubic area and cut out her eyes, which he took with him. 22, then went to the kitchen and grabbed a 10-inch carving knife. Not loaded, because their grandchildren had recently visited and Vincent had removed the shells. She pointed it at Ramirez, pulled the trigger and heard a click.
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Maxine managed to free herself and go for the shotgun her husband kept under their bed. Ramirez tied her hands together with a necktie and told her not to move while he rummaged through their possessions. His wife, Maxine, woke up to find an intruder in their bedroom. Still on the couch, Zazzara was fatally shot in the head. He walked to the back of the house, pried a laundry room window open, and was in, leaving a size-11 1/2 print from an Avia sneaker on the compound can he used to reach the first-story window. Through the window, he could see Vincent Zazzara sleeping on the couch. On March 26 at around 2 a.m., eight nights after the two women were killed, Ramirez drove (still in the stolen Toyota, now with a bumper sticker reading "America, love it or leave it" to placate cops with a show of patriotism) to a house he had previously robbed in nearby Whittier, Calif. office, the deputy thought it looked like a composite he had made of a suspect in the attempted abduction of a girl. And when Carrillo later showed the sketch made from Hernandez's description to a deputy with the sheriff's East L.A. Ballistics would soon show that Yu and Okazaki had been killed with the same gun. Hearing about Yu's murder, Carrillo got in touch with Monterey Park police to compare notes. It appeared, to investigators, that the killing was the point. Women would start sleeping with butcher knives next to their beds and stick guns in their purses for nighttime errands. As was the case at Hernandez and Okazaki's place, where nothing had been taken, Yu hadn't been robbed. The utter randomness, of course, was what made the Night Stalker's crimes especially terrifying. Recalling what happened, she said the man didn't say a word. "He was five-ten, thin, with black hair and dark, real scary eyes," Hernandez described her assailant to Carrillo. Yu opened it and demanded to know why he had been following her.īut now, police had something to go on. Both stopped at a red light, Ramirez, his gun tucked in his waistband, got out of the Toyota and approached her window.
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When he did, according to Carlo, she started following him. Veronica Yu, however, noticed that a man in a Toyota appeared to be following her and pulled over to see if he would pass her.
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Meanwhile, back on the freeway, perhaps minutes later, Ramirez saw another young woman exiting toward Monterey Park and headed after her. But Deputy Detective Gil Carrillo believed Hernandez when she told him she had no idea why someone would have followed her home and shot her.
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Sheriff's Department Homicide detectives who later worked the site at first pondered whether there had been some sort of love triangle gone wrong at play. But though he pointed his gun in her direction, he just walked back to his car and drove off into the night, leaving the AC/DC cap he had been wearing somewhere at the scene. Hernandez, who had run around to the front of the complex, saw him as he let himself out through the front door. And he saw her. "He was certain that Satan, archenemy of Christ, of all things good, was traveling with him," wrote author Philip Carlo, who conducted extensive prison interviews with Ramirez, in his 1996 book The Night Stalker: The Disturbing Life and Chilling Crimes of Richard Ramirez, "and that Satan would protect him so long as he stayed evil in his heart and showed no mercy."
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He had noticeably bad teeth, the ones he still had rotting away. At 24, when he committed his first known murder, he was a veteran burglar and car thief, as well as often homeless because he spent the majority of his cash on drugs and prostitutes. Ultimately the pentagrams helped prove his undoing, investigators finding a similar one drawn on the bathroom door in a hotel room where the suspect had stayed.īelieving that the devil was looking out for him, Ramirez was a delusional sadist who injected cocaine and heard subliminal messages in the lyrics of the heavy metal music he favored. Women he raped who survived recalled him demanding that they declare their love for Satan. Pentagrams scrawled in lipstick on walls and on victims further perpetuated the narrative that the killer worshipped the devil.